-          By Arunabha Ghosh, Dept. Of English, Bhairab Ganguly College

The nature of life in the modern world and the human predicament of life in such a world form the themes of Eliot’s major poems. There were various social, political, religious and personal reasons that created a great impact on Eliot’s intellectual mind. Between the beginning of World war I and the end of World War II (i.e. the entire period between 1914 and 1945), the United States became a ‘modern’ nation, riven with internal fractures. Literature of the period struggled to understand the new and diverse responses to the advent of modernity. Some writers celebrated the changes; others lamented the loss of old ways of life. Some imagined future Utopias; others searched for new forms to speak of the new realities. In all, writers inquired into the connexions between art and politics. In the world of business and technology, rapid advances were made. The transition of “big sciences” and more complex, and ‘rational’ ways of thinking about space, time, matter, and the universe also began to take place during this era, eventually creating rifts between literary intellectuals and scientists. To some writers like Pound, Eliot, Wallace Stevens and William Carlos Williams, offered an alternative way of understanding the world, eventually giving rise to the idea of the “two cultures”—science and letters. Intellectual minds like Eliot’s were highly influenced by this.

Though being fully aware of the cultural, social, religious, and political world around him, Eliot’s poetry transcends all philosophical and religious boundaries of places, situations, and even time to get a coherent view of the fragmentary human existence. And we find how he borrows heavily from the Eastern (mainly, Hindu and Buddhist) myths in his poetry that give his poetry a new dimension. In his early poems like “The Hippopotamus” (1917) and “Mr. Eliot’s Sunday Morning Service” (1917), we find the poet satirising the spiritual apathy, materialism and meaningless ritualism and formalism of the Catholic Church. However, he details this alienation in poems like “The Love Song of J. Alfred Prufrock” (1917) and The Waste Land (1922), where he participates in search for reality that seemed to be veiled. His search actually landed him on the shores of the Ganges in India (“Ganga was sunken,” he says in The Waste Land), metaphorically seeking reality in the Hindu mythic-philosophical traditions of the East. With the Hindu and Buddhist sensibilities placed side by side with their Christian counterparts, Eliot’s poetry becomes a filigree of the myths of the Orient and the Occident. The Buddhist notion of the ‘obsession with the self’ and the Hindu myth of creation and that of Brahma are among many references of the East. We can cite Eliot’s use of the Sanskrit terms ‘Ganga’ for the Ganges and ‘Himavant’ for the Himalayas in the last section (“What the Thunder Said”) Himalayas of The Waste Land along with the sound “Da,” uttered thrice by Brahma to mean Datta, Dayadhvam, and Damayata (meaning—‘give,’ ‘sympathise,’ and ‘control’). Apart from this seminal text of Euro-American Modernism, arguably the most philosophical poem of the twentieth century, Four Quartets also shows Eliot’s Eastern borrowings. He recognises the root cause of all misery is nothing but the trishna that Buddhism has tried to explore in many ways. The ultimate happiness (paths to salvation) comes only when one ‘plucks’ oneself out of the fire of desire. Examples could be multiplied from his Texts, but to conclude we can say that Eliot’s inquisitive mind checked out all possible ways which can provide him the peace of mind that he lacked in a milieu of his time as well as in his private life.

 

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Leaving Microsoft to Change the World: A Review

On April 26, 2012, in General, by Suparna

 

 I just read the book “Leaving Microsoft to Change the World” by John Wood and was fascinated to find how a rising executive at Microsoft took a vacation that ultimately changed his life.  A trekking holiday in Nepal in the peaks of the Himalayas inspired him to leave his career to create Room to Read, which is an organization that has created a network of several libraries and schools throughout rural and disadvantaged communities in Asia and Africa.

While in Nepal, the author encountered a local educator and visited a school that had only a handful of books.  He motivated his friends and family to collect books to donate to this school.

This book is a stimulating read that will inspire readers to consider donating his or her time and doing community service. Wood’s inspiring story is bound to motivate you to become a better person both in society and business.  All librarians will appreciate how the author highlights the importance of libraries in children’s lives.

-     Rita Sen Choudhury, Reference Librarian, American Library Kolkata

 

Impressions of a Young Book Worm

On April 20, 2012, in American Library Events, by Suparna

 

At the children’s corner in the American Library, we can read story books, we can use computer. It is interesting to know about America and the Americans from the books. They are very interesting and by becoming a member one can borrow books. But if not returned in time, one has to pay the fine. There are books on geography, history, fiction etc. The books are there for different age groups. You can also borrow CDs, DVDs and can browse the net. There are various programs organized for children.  I like coming to American Library and enjoy here.

 - Sidra Fatma, class IV student of Sri Sikshayatan School, Kolkata  

 

 

 

Constructing Her Story

On March 20, 2012, in Women's Issues, by Suparna

 

 

 History has always been His Story with women being relegated to footnotes or appendices. As women’s rights movement started gaining momentum in the twentieth century, feminist writers, scholars and academicians began to question the official versions of history. The political struggle for women’s liberation in the 1970s led the foundation of women’s studies which endeavored to establish women to their proper historical perspective.

Women’s History Month is celebrated during the month of March, corresponding with International Women’s Day on March 8, to focus on the contributions of women to events in history and contemporary society. The right to education has been a continuous struggle waged by women from past to the present across the globe.  2012 Women’s History Month Theme is Women’s Education – Women’s Empowerment to recognize the pioneering works of women on the diverse areas of education. The year2012 is also the 40th Anniversary of the passage of Title IX of the Education Codes of the Higher Education Act Amendments, passed in 1972 and enacted in 1977, which prohibited gender discrimination by federally funded institutions. This landmark act transformed the educational landscape of the United States and became the primary tool for women’s fuller participation in all aspects of education from scholarships, to facilities and courses formerly closed to women. 

 

View

Great Women of the Twentieth Century: A virtual exhibition at the Smithsonian Institution’s National Portrait Gallery celebrates American women who made important contributions to arts, science, sports, entertainment, business and politics in the 20th century

 

 

Browse the site of National Women’s History Project for the history and issues of Women’s Rights movement.

Read

eJournal USA: Enterprising Women, Thriving Societies

This issue of eJournal USA encourages women to pursue their entrepreneurial ambitions. It cites the experiences of businesswomen around the world and features successful women entrepreneurs who can serve as role models. It also identifies barriers and best practices for overcoming them.

Herstory: A Woman’s View of American History by June Sochen. Historian Sochen surveys the major periods of American history in terms of the lives, experiences, thoughts, and achievements of American women.

In Their Time: A History of Feminism in Western Society by Marlene LeGates: A lively overview of Western feminist movements from the Middle Ages through the latter twentieth century.

The Norton Anthology of Literature by Women:the Traditions in English compiled by Sandra M. Gilbert & Susan Gubar. A collection of novels, stories, poems, essays, memoirs, diaries, and letters of more than 170 women writers.

You’ve Come a Long Way, Baby: Women, Politics, and Popular Culture edited by Lilly J. Goren: Framed by discussions of contemporary feminism, the volume examines gender in relation to sexuality, the workplace, consumerism, fashion, politics, and the beauty industry. In analyzing societal depictions of women, it illustrates how media reflects and shapes the feminine sense of power, identity, and the daily challenges of the twenty-first century.

(Books are available at the American Library Kolkata)

 

 

 

 

 

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American Poetry in the Eyes of a Poetry Buff

On February 24, 2012, in Literature, by Suparna

By Ujjal Singha, writer

I have been reading the works of American poets for the last thirty years and every day I am discovering new dimensions of their poetry.  I have read Whitman, Frost and other classic poets and with equal interest the poems of Catherine Bowman (1957), Stephanie Brown (1961), Victoria Chang (1970), Shanna Compton (1970), Jamey Dunham (1973), Berth Ann Fennelly (1971), Arielle Greenberg (1972), Sarah Manguso (1974), and so on.

The new generation of American poets expresses their personal emotions through imagery drawn from the life around them. Some take their theme or subject from music; some derive their philosophical depth from the intricacies of modernist or post-modernist thoughts. Women poets draw on their own physical and mental sufferings. The poet Gabriel Calvocorossi speaking on her art says “Often, I begin a poem with a walk, or a song I hear that begins a movie of the poem getting made in my head.”

Prominent critic Alberto Rios analyzing the poems of Francis Aragon comments that “there, a line is a moment and a moment is intrinsically non-narrative, that is, a moment does not move forward”. This description gives an indication of the distinctiveness of form and language that marks current poetry. Contemporary American poetry is versatile, colorful, thought provoking, yet filled with the essence of pure poetry.

I really feel amazed when I consider the professions of some of these poets. Most of them are teachers, but there are also poets like Matthew Yeager, who works as a delivery truck driver and caterer. I wonder how he finds the time to create a poem like A Big Ball of Foil in a Small New York Apartment amidst his tough working environment. It starts with the words from a line of a Hopkins’ poem:”It will flame out..” and the entire poem gives faint traces of a storyline as we see in the last stanza:

The night he was done, the night the ball

nudged up against his ceiling and his walls

(a coincidence so long foreseen it had lost its luster)

he pressed his teeth deep into its surface, as a signature,

leaned his confused body against it, closed his eyes,

and, listening to the car pass, wept a little bit.”

           

 

 

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BLACK HISTORY MONTH

On February 17, 2012, in U.S. People & Culture, by Suparna

 
           

 

 

The month of February is celebrated as the Black History Month as a tribute to the achievements and contributions of the African Americans to U.S. society.

 

 

 

 

 (Color in Freedom by African-American artist Joseph Holston)

 

 Historian Carter G. Woodson and the organization he founded, the Association for the Study of Negro Life and History (ASNLH), which later became the Association for the Study of African American Life and History ASALH), conceived and announced Negro History Week in 1925. By the time of his death in 1950, Negro History Week had become an integral part of African American community. The Civil Rights movement in the 1960s focused on the subject of the contributions of African Americans to history and culture of the United States. In 1976, the nation’s bicentennial, the celebration was expanded to a month with President Gerald R. Ford urging Americans to “seize the opportunity to honor the too-often neglected accomplishments of black Americans in every areaof endeavor throughout our history.”

 

The 2012 theme is Black Women in American Culture and History to commemorate the role of African American women in history of the United States of America.  As activists, writers, artists, corporate executives and even as homemakers African American women have immensely contributed to the building of their nation. President Obama has remarked in his Presidential Proclamation : “As courageous visionaries who led the fight to end slavery and tenacious activists who fought to expand basic civil rights to all Americans, African American women have long served as champions of social and political change.  And from the literary giants who gave voice to their communities to the artists whose harmonies and brush strokes captured hardships and aspirations, African American women have forever enriched our cultural heritage. Today, we stand on the shoulders of countless African American women who shattered glass ceilings and advanced our common goals.  In recognition of their legacy, let us honor their heroic and historic acts for years to come.”

 

PHOTO GALLERY
    

The Smithsonian presents the image gallery Let Your Motto be Resistance as a homage to some  influential African-American figures in U.S. history.

  Visionaries:African Americans Tell Their Stories focuses on some of the extraordinary Black women who have shaped America’s culture and history.

A New Generation of Black Women Leaders features contemporary African-American women who excel in a variety of fields.

 

EJOURNAL

Making Their Mark: Black Women Leaders: This issue of eJournal USA profiles African-American women of the 20th and 21stcenturies who have made significant contributions to many spheres of American life. It also offers insights into how earlier generations of African-American women serve as touchstones for the present generation.

 

 ARTICLE

Black Theater Today: Alive and Global talks of the new generation of black dramatists who are  using historical insight to create a range of characters spanning the spectrum of social class and experience.

 Source: IIP Digital

 

 

 

Review of “Our Stolen Future”

On February 9, 2012, in Environment, by Suparna

Our Stolen Future: Are We Threatening Our Fertility, Intelligence, and Survival? : A Scientific Detective Story 

 Review by Dr. Gopal Bhattacharya, writer

 
After Rachel Carson’s Silent Spring I have not read such a fascinating and cautionary tale relating particularly to environmental estrogens.  The male sperm counts around the world have dropped by fifty percent in the last two generations.  Many of the disturbing wild life reports involved defective sexual organs, behavioral abnormalities, impaired fertility, the loss of young or the sudden disappearance of entire animal population. The problems first seen in wild life touched humans too.

In the forward of this book Al Gore has remarked, “Our stolen future…forces us to ask new questions about the synthetic chemicals that we have spread across the earth. For the sake of our children and grand children we must urgently seek the answers.  All of us have the right to know and an obligation to learn.” In fact, Theo Colborn, Dianne Dumanoski, and John Peterson Myers stuns the readers and rightly so.

 

 

 

 

On January 27, 2012, in General, by Suparna

Meet US at Kolkata Book Fair

 

 

 

 

 The American Pavilion promises to be your favorite hangout in the 36th Kolkata Book Fair at the Milan Mela Ground near Science City.The American Library is participating at the Fair with a promise of something for allbook lovers, big and small. This year, the Library brings you an exciting collection of books for youngsters anda vernacular collection of books on the United States. On display will also be those eye-catching titles thatyou had always wanted to read. Enroll as members to win exciting gifts. For students aspiring to study in the United States, brochures and information will be waiting, courtesy the United States India Educational Foundation (USIEF).

 

 

 

 

 

 

The Poetry of Tennessee Williams

On January 25, 2012, in Literature, by Suparna

By Ms. Shreya Sarkar, Lecturer of English, Gokhale Memorial Girls’ College

Thomas  Lanier Williams,  also  known as  Tennessee,  was born  to  be a  visionary.  He primarily  saw  himself as  a  poet in  a  practical world.  His poetry has long been overshadowed by his dramatic output.  Yet Williams wrote poetry all his life.  In  1944, he  was  included in  the  anthology ‘Five  Young  American Poets’  and  he later  published  two solo  collections,  In  The 
Winter  Of  Cities(1956) 
and  Androgyne,  Mon  Amour(1977).  “Williams was  very  dedicated as  a  poet,”  said Allean  Hale,  adjunct professor  of  theatre at  the  University of  Illinois,  who has  written  extensively on  Williams’  early years.  In  fact, Tennessee    thought  of himself  primarily  as a  poet  rather than  as  a playwright,  until  he began  working  with the  Mummers  of St.Louis,  a  local theatre  group  that produced  several  of his plays.   

He  believed, good  Art  comprises of  an  inherent conflict,  a  feature common  to  all  his  works. In  fact,  in his  own  mental battlefield,  the  real was  perpetually  at war  with  the ideal;  what  was public,  wrestled  with what  was  private; what  dragged  men down,  fought  with, what  drew  them up.  This  struggle became  an  allegory, by  which  his inner  conflict  got reflected.  This  conflict again,  gave  birth to  a  morbid shyness  in  the playwright  which  ultimately turned  into  a phobia  about  the process  of  thought being  a  terrifying  complex mystery  of  human  life.  He often  treated  his unaccountable  fear  as the  subject  of both  his  poetry and  his  plays. During  the  summer of  1928,  when he  was  on a  tour  of Europe  with  his 
grandfather  Reverend  Walter E. Dakin,  Williams experienced  three  episodes of  this  phobia – in Paris,  Cologne  and Amsterdam.  In  his  Memoirs, Williams  mentions  that the  third  and last  incident  of this  phobia  was lifted  away  solely by  the  composition of  a little  poem :

Strangers pass me on the street

in endless throngs: their marching feet,

sound with a sameness in my ears

that dulls my senses, soothes my fears,

I hear their laughter and their sighs,

I look into their myriad eyes:

Then all at once my hot woe

Cools like a cinder dropped on snow.

For  Williams, a  poet  was a  sort  of a  conjurer  who could  put  up the  strongest  resistance to  that  which was  false  and impure  both  in himself  and  the world.  And  what urgently  drove  him to  take  recourse to  poetry,  was his  sudden  conclusion to  his  studies at  the  University of  Missouri  in 1932,  when  his father  furiously  dragged him  home  and put  him  to work  in  a shoe  factory.  Williams’ poetry and plays abound in autobiographical elements.  For  instance, Tennessee  had  a sublime  bonding  with his  sister  Rose, a  slim  beauty who  was  diagnosed with  schizophrenia  at  a  young age.  As  was common  then,  Rose was  institutionalized  and spent  most  of her  adult  life in  mental  hospitals. When therapies were unsuccessful, she showed more paranoid tendencies.  In an  effort  to treat  her,  Williams’ parents  authorized  prefrontal lobotomy,  a  drastic treatment  that  was thought  to  help some  mental  patients who  suffered  extreme agitation.  Performed  in 1937  in  Knoxville, Tennessee,  the operation incapacitated  Rose  for the  rest  of her  life.  Her surgery may have contributed to Williams’alcoholism.  In  The  Glass Menagerie,  the  figure of  Laura  Wingfield is  based  on Rose.  Laura  is presented  as  a painfully  shy,  nervous, morbid,  sensitive  and delicate  person  who is  as  fragile as  her  little glass  ornaments  and old  phonograph  records, which  are  her escape  route  from the  outside  world. An  illness  in childhood  leaves  her “crippled”,  one leg  slightly  shorter than  the  other and  held  in a  brace.  From the  beginning  till the  end  of  the  play, she  is  presented as  a sufferer  like his  own  sister, Rose.  The  depiction of  Laura  is redolent  of  a poem  that  Williams composed  about  Rose which  he  named Elegy  for Rose 

 She is a metal forged by love

too volatile, too fiery thin

so that her substance will be lost

as sudden lightning or as wind

 Williams  composed  another  poem  on  Rose  about  her  leaving  home  which  again  anticipates  the  memorable  scene  in  A Streetcar Named Desire,  when  Blanche  is  led  off  to  an  institution.  This piece is entitled ‘Valediction

     She went with morning on her lips

     down an inscrutable dark way

     and we who witnessed her eclipse

      have found no word to say.

Thus  to  conclude,  poetry  did  provide  Williams  with  “ beauty  everlasting “.  As  a  university  student,  he  was  an  active  member  of  the  College  Poetry  Society  along  with  fellow  poets  such  as  Clark  Mills  and  William  Jay  Smith.  He  was also  majorly  dedicated  to  design,  mystery  of  colour  and  was  a  steady  worshipper  of  beauty.  He affirmed:  “I  believe  in  Michelangelo,  Velasquez  and  Rembrandt;  in  the  might  of  design,  the  mystery  of   colour,  the  redemption  of  all  things  by  beauty  everlasting  and  the  message  of  art  that  has made these hands blessed.  Amen.”

(Presented at the Book Club Meet on Tennessee Williams, January 17, 2012, American Center.  Abridged)

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Tolerance: The Road to Wisdom

On January 12, 2012, in Literature, by Suparna

 Tolerance: The Road to Wisdom - Reading “The Bloudy Tenent” By Roger Williams

By Mrs. Chaitali Maitra, Guest Lecturer of English, Presidency University

The earliest settlers in America, who were British, were also Puritans. Among them, there were types – like the ones who broke away from the Church of England and some stayed within, with a hope to ‘purify’ it. The first ones, retained the same name – Puritans; the others had various names, the Baptists and the Methodists being the main ones. These were times, when on both sides of the Atlantic, a lot of cruelty was inflicted on men for very little violation of religious disciplines. Those perceived as heretics, were severely punished.

One of the most outstanding personalities who stood up against all this was Roger Williams, who came to America with a strong liturgical education and training from England in 1631, was banished from Massachusetts and survived a terrible winter with the help of the native Indians. In 1636, he established a new colony – Rhodes Island, which advocated the flourish of many religions. His subversive opinions find a peak expression in The Bloudy Tenent of Persecution for Cause of Conscience, published in 1644 in London. The book tries to uphold the issue of religious liberty in the tumultuous American backdrop, when the revivalist religion that emphasized the value of religious communities searched for a blend, with the character and the values of the frontier. It tries to show the importance of wise tolerance of the individual freedom, without which a lot of bigotry and dissension would prevail. During his residence at Plymouth, Williams learned the Indian language. Soon Mr. Cotton, a minister, landed at Boston, who would, eventually, be of different opinion about the same issues. The book incorporates the views of Mr. Cotton which is refuted by the author.

When he wrote this book, Williams was trying to highlight and understand the different aspects of religious liberty. The book is written in heavy, archaic diction and seeks to give the reader a sense of priority and serious choice, where the Bible is referred to, at many places. On the whole, it tries to establish the importance of religious harmony in a country sworded on only and merely religious grounds.

 The book has many instances where Williams shows his close acquaintance with the Bible: “I acknowledge that to molest any person, Jew or Gentile, for either professing doctrine, compares Daniel (VI,16,of the Bible) with God’s people who ‘have shined brightest in Godliness, when they have enjoyed least quietness.”Although the work was written in haste, when he was occupied in obtaining a charter for Rhode Island, nature comes in splendidly in the life and experience of Williams. He speaks of a spot close to the Mohassuck River, as the ‘holy ground’, where he found Providence.

 Throughout the book, a clever and cutting dialogue issues between Truth and Peace and Williams examines the probabilities and the chasms that exist between truth and peace as concepts:

“Peace – It will be said dear Truth, what the Lord Jesus and his messengers taught was truth; but the question is about error.

Truth – I answer this distinction now in discussion concerns not truth or error, but the manner of holding forth or divulging.”

So, the book points out the dangers of breaking the civil code, if the conscience (which is also synonymous with the ‘mind’ in socio-political sense), is not respected. Williams writes from a religious platform, but tries to point out the political spills that can threaten and eventually destroy the orderliness of the society. The biographies of Roger Williams, by both Perry Miller and Ola Winslow, mention of his criticizing the New England theocracy. His temporary departure to England in 1643, initiated another book called “Christenings make not Christians”, where he argues against converting the Indians or forcing them to abandon their religious practices.

 Throughout the 19th century Transcendentalist wave, Puritanism was a cultural, not a religious force. The central emphasis of Transcendentalism was on the human ability to enter into a deeper relationship with the ultimate reality that underlies appearances. Coupled with this were the other isms like Unitarianism and Universalism. The flourish of many religions and faiths in America, would lead to one of the most important religious events of the 19thcentury – The World Parliament of Religion of 1893 in Chicago, which expressed the ideal of acceptance and brotherhood amongst many faiths in the world. This was a proud occasion for the Indians, with Swami Vivekananda as a speaker. Much later, Henry Adams would point out in his major work ‘Buddha and Brahma’ the depth of Asian religious traditions; all this would happen with the singular effort of the Unitarian Jenkin Lloyd Jones in the same year to strengthen understanding among the different sects. But tracing things back, would take us to the thinking minds of the 17th century amongst which, Roger Williams brilliantly stands apart. He stood up for the concept of ‘brotherhood of mankind and common fatherhood of God.’  His ideas anticipate the ideal of the commonwealth, with a spacious view of the government, in the new Nation State.

This is an abridged version of the paper presented at the Seminar: Rereading Seventeenth Century Prose Writings (November 28-29, 2011  American Center Kolkata)

The text of  The Bloudy Tenent of Persecution for Cause of Conscience is available online at: http://www.archive.org/details/thebloudytenento00willuoft